SELECTED EXTRACTS
VOCAL/OPERA
INSTRUMENTAL
MEDIA/OTHER
Chamber
Drowned In C (2015) for chamber ensemble (commissioned by the London Sinfonietta)
Empty Orchestra (2015) for chamber ensemble, live visuals and karaoke singers (commissioned by London Symphony Orchestra Soundhub)
Kara-Oke II (2016) for chamber ensemble, live visuals and karaoke singers (commissioned by London Symphony Orchestra Soundhub)
Orchestra
Island Mantras (2019) for symphonic orchestra (commissioned by the Jerusalem Symphony Orchestra) [8']
Trismus (2022) for chamber orchestra (commissioned by the Israel contemporary Players)
Opera
Sandman (2012) (Guildhall School of Music and Drama)
Black Sand (2013) (Tete a Tete and Grimeborn festivals)
The Last Seed (2016) for six countertenors and chamber ensemble (commissioned by Tete a Tete)
Mamzer/Bastard (2018) (commissioned by the Royal Opera House)
Vocal
Lovesick (2018) for baritone and piano quartet (commissioned by YIVO)
SCRUM (2018) for solo Baritone and piano (commissioned by the National Opera Studio)
Beloved Visitors (2020) for solo Baritone and piano quartet (commissioned by Manchester Jewish Museaum)
Solo
No Hay Banda (2017) for solo guitar (commissioned by the International Guitar Foundation)
Other
Anchorage (2021) - chamber ensemble composition for Contemporary Dance (choreographer: Yoshito Sakuraba, Abarukas Dance) (commissioned by the Rozsa Centre and Rabbit Island Foundation)
What Will Survive of Us (2020) - six channel surround-sound installation 5.1 (Artist: Ursula Mayer) (commissioned by Ujazdowski Centre for Contemporary Art)
Lusus (2023) - music for the audio horror anthology series, OST album (commissioned by BBC radio 4)